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Vittore Carpaccio Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
Vittore Carpaccio Portrat eines Ritters, Detail 1510(1510)
Oil on canvas
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Painting ID:: 72890
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Vittore Carpaccio Portrat eines Ritters, Detail 1510(1510)
Oil on canvas
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Painting ID:: 74692
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Vittore Carpaccio Portrat eines Ritters Detail Title Deutsch: Porträt eines Ritters, Detail
Date 1510(1510)
Medium Oil on canvas
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Painting ID:: 74694
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Vittore Carpaccio Vittore Carpaccio Date 1510(1510)
Medium Oil on canvas
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Painting ID:: 86608
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Vittore Carpaccio The Ambassadors Depart Date between 1495(1495) and 1500(1500)
Medium Oil on canvas
Dimensions 280 x 253 cm (110.2 x 99.6 in)
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Painting ID:: 86828
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Vittore Carpaccio The Annunciation Date 1504(1504)
Medium Oil and tempera on canvas
Dimensions Height: 130 cm (51.2 in). Width: 140 cm (55.1 in).
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Painting ID:: 86878
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Vittore Carpaccio The Meditation on the Passion Date c. 1510(1510)
Medium Oil and tempera on wood
Dimensions Height: 70.5 cm (27.8 in). Width: 86.7 cm (34.1 in).
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Painting ID:: 91188
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Vittore Carpaccio Two Venetian Ladies 1510(1510)
Medium oil on panel
Dimensions Height: 94 cm (37 in). Width: 64 cm (25.2 in).
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Painting ID:: 91467
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Vittore Carpaccio Salvator Mundi c. 1510
Medium oil on panel
Dimensions Deutsch: 58 x 46,5 cm
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Italian
1455-1526
Vittore Carpaccio Locations
His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
